thedoppelganger: Susie and Friends from The Big Valley, Alex Prager, 2008 I was introduced to Prager’s work last year through MoMA’s New Photography 2010 exhibition. I love that she is self-taught but has managed to create these worlds & stories within her photos. Even when shooting a single subject, she can create a history that makes the viewer wonder what events led up the moment shown in the photo.

thedoppelganger:

Susie and Friends from The Big Valley, Alex Prager, 2008

I was introduced to Prager’s work last year through MoMA’s New Photography 2010 exhibition. I love that she is self-taught but has managed to create these worlds & stories within her photos. Even when shooting a single subject, she can create a history that makes the viewer wonder what events led up the moment shown in the photo.

(Source: melisaki)

thedoppelganger: Susie and Friends from The Big Valley, Alex Prager, 2008 I was introduced to Prager’s work last year through MoMA’s New Photography 2010 exhibition. I love that she is self-taught but has managed to create these worlds & stories within her photos. Even when shooting a single subject, she can create a history that makes the viewer wonder what events led up the moment shown in the photo.

thedoppelganger:

Susie and Friends from The Big Valley, Alex Prager, 2008

I was introduced to Prager’s work last year through MoMA’s New Photography 2010 exhibition. I love that she is self-taught but has managed to create these worlds & stories within her photos. Even when shooting a single subject, she can create a history that makes the viewer wonder what events led up the moment shown in the photo.

(Source: melisaki)

Posted 6 months ago & Filed under art, photography, moma, 172 notes View high resolution

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"And the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them" - Frank O'Hara